der junge produzent andrea aus paris veröffentlicht anfang juli seine neue ep -black magic- bei jakarta records, nachdem ihn sein kumpel stwo dem label vorgestellt hat. mit dem gedanken im kopf das eis und die grenzen zu brechen, schaffte andrea seine ideen und einflüsse so umzusetzen, dass wundervolle und intime tracks daraus entstanden. *black magic* wurde hörbar mit liebe zum detail kreiert und entführt den hörer in eine eigene, einzigartige welt.

claudio coccoluto is going back to print with the dub records and this is release no.2! after spending over a decade in hibernation the claudio coccoluto’s record label the dub comes back to life with a new disco tinged offering from the label boss himself and sets the tone for a full schedule ahead. claudio coccoluto is one of italy’s most famous musical sons, a dj, producer, radio and tv show host and music writer. he plays all over the world at clubs and festivals as well as for brands like mtv and peroni. using everything from the vintage sounds of chicago and detroit to the ultra-modern music coming out of europe and everything else he hears around the world, claudio coccoluto is never afraid of experimenting with pioneering sounds and allowing others to be influenced by his never ending search for the next record.

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s.

parasol dance embodies the musical headway and fruition fabio experienced exploring different soundscapes and rhythms in his london based studio this last year. the crisp analogue cuts in the album are peppered with monesis organic evolution from the new jersey sound drawing inspiration from jazz, funk and even acid/jackin house, all the while never faltering on the end product of raw undulating grooves.

a new installment of jorun bombay remixes.

polish resident lutto lento follows up his debut 12inch for charles drakefords ftd label with this 6 track ep whips for where to now? records. luttos sound places him as quite a unique figure in modern electronic music, showing a fearless work ethic in shrouding his productions in saturated tape loops, and achieving what is certainly a low-fi quality to his sound, lutto manages to never let this lo-fi edge take centre stage, instead this expertly crafted process of tape cutting and looping provides the backdrop to luttos exuberantly crafted yet absolutely dance floor orientated drum work.

before you can remember anything you are about to say to me i will tell you its time for a second round! why even bother searching for questions if ancient future already has the answers to them? delivered again in the form of four tracks by four different artists, this is number two! played & support by peter kruder, booka shade, larse, ed ed, kiki, andre crom, rainer trueby, vanilla ace and many more

black 12 inch + mix cd by anal virginity (dude club resident // milan)

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

after the series of caribbean related releases, emotional rescue returns to the early 80s downtown nyc post punk / new wave scene with plus instruments collecting their best and rarest songs on one groove laden ep. 4 tracks of pure downtown punk-dub-funk, all with the nonchalant euro-style delivery of truus de groot. it doesnt get better than this. coming with extended unreleased versions, the originals were collected from sought after eps, an obscure compilation lp and fiishes with a never before released song, this is history. licensed and remastered for aural pleasure

the second solo album from the killers front man brendon flowers as 12 inch vinyl in gatefold sleeve.

fumiya tanaka s double-tracker >beautiful town< was fully inspired by its cover artwork: a set of carefully selected old pictures with a layer of masterful signature paintings by romanian artist and fine-arts student bonjour bonsoir. a-sides >abacus avenue< is the ep’s most dense and eerie side. an addictive piece that utterly succeeds in sucking you right in like a vortex would. the locomotive bassline serves its purpose of movement in a strong loopy groove, while the pads and poltergeist y sounds reformat our heads with an inability for space-time tracking. the otherside of this town, >himegami marathon<, is another mysteriously intricate work. its a microcosm of grooves, sinister details and voices locked in a tight groove built on a single bass stab and a flowing, never-ending set of wet claps. a piano kicks in at key points, alongside percussive elements, reminding us that this town is alive.

jesse siminski otherwise known by his dj name heartthrob and as label boss of imprint isnisnt, returns with a fierce 4 track ep of jacking modern acid funk. heartthrob has been producing for over a decade and his innate ability to create cutting edge and propulsive techno grooves has kept him busy with a touring schedule that takes him across the globe, as well as a new party series named after the label. pressing on pink coloured & marbled vinyl.

4-fach vinyl limitiert auf 500 stück, inklusive downloadcode und monstertruck-aufkleber.

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

vinyl will never die. that is the motto which embi music is looking for. therefore promptly after the first success in the beginning of the year, the next limited press release is coming. this time straight from chile, with well-known artists larry peters and umho.remixes by miguel lobo and label boss daniele casa round off the package.

frits wentink launches his new label bobby donny with ‘live fast, dwayne young’. bobby donny has been set up to primarily feature frits wentink’s own tracks, but focusing on the wonkier, more lo-fi house edge of his sound. the emphasis will be on tracks that are hardware jams on rhodes, juno 60 or mpc, then structured later. frits wentink has already garnered a huge fanbase for his quirky, innovative and characterful house music on a number of forward thinking labels like wolfskuil, 2020vision, heist and wolf with his recent debut album, ‘rarely pure, never simple’ on the latter, gaining much critical acclaim.

sinatras ultimate hits - together for the very first time on 2 deluxe 180 gram heavyweight lps, housed in a gatefold sleeve.

after releasing her debut album on jus edas underground quality label, dana ruh returns here to her own label, brouqade, with this stunning 3 track ep >yardang<. this release is all about deep vibes and atmospheric sounds, even though the focus never leaves the dance floor!

• billy nasty’s electrix recordings returns with a new ep by fleck e.s.c.
• very limited vinyl pressing features solid remixes from carl finlow and pip williams
franck collin, aka fleck e.s.c, is an electro artist originally from france but currently living in tokyo. franck’s earlier experience playing bass and drums in bands and his love of horror, science fiction and b-movies, naturally drove him to the electro scene. with additional influences rooted in new wave, contemporary, techno and ambient, fleck e.s.c tries to avoid the clichés of electro, leaning more toward the spooky side of horror and sci-fi and the cheap retro sounds in tribute of the movies he loves. never too serious or pretentious and always striving for fresh sounds, fleck e.s.c’s music aims to distract the body and the brain.
his ‘nice guy ep’ comprises two killer new tracks that emphasize this sound, the dappled ‘what r we waiting 4’ and the ominous tones of ‘nice guy’. remixes of the latter come from london modular’s pip williams with a sweeping rendition, alongside the mighty carl finlow who also adds his magic touch...

heavyweight 180 gram vinyl in gatefold sleeve, download code included.

a recontextualized hybridization of that which is familiar to create the foreign. using classic chicago, detroit and new york as a reference, i sought to explore new sonic possibilities while limiting myself to the classic machines and sounds of the era that inspired me to dedicate my life to this art-form.

glesga toons very own cream mac-wearing whirling dervish returns to the dabj fold for his sophomore side. after the massively in demand *sulta selects vol. 1*, oor denis is back with his inimitable brand of hig-end rollers.

limited deluxe edition of 250 handnumbered copies, including download code and surprise.
disco club is a groundbreaking 1978 ep of experimental electronic disco created by fvre and his collaborator under their tongue-in-cheek aliases joachim sherylee and junior claristidge. the aphex twin-backed rephlex label notably reworked a handful of disco club tracks in 2004, however this is the first ever reissue of the ep in its complete, originally intended sequence. so synonymous is fvres career with this release, he continues to perform internationally as black devil disco club today. an impossibly rare piece, this edition has been treated to a remaster from the original tapes by fvre himself.

melody as truth returns with talk from home an album from los angeles native suzanne kraft. talk from home showcases krafts emotional depth as a producer, and skill as a multi-instrumentalist. recorded over a few weeks in the winter of 2014, the intimacy of the recordings shines through in a melancholic yet hopeful world of melody and tone.

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

this lp incl double pack 12inch vinyl with full colour outer & inner sleeves. from now without cd. paradise is robert hoods debut album release as floorplan. floorplan could well be seen as robert hoods vision as seen through a house music prism.

italian born producer distant memories with a four track ep via london based label, wunderkammer recordings. the ep starts with degrado (a1) that belongs to a segment of works named originally “untono” because of the minimum employment of sound elements in the composition. few and simple sonorities to describe the disapproval on the current conditions of things. compulsive (a2) is a track with a more deep feeling that proceeds untill the end around a sharp kick and spectral and obscure sounds. it is crystal clear that this tune represents a compulsive behavior. while mentale (b1) has a good speed with a deep ambience. is a mental but natural progression of sounds that evolves maintaining an incessant and hypnotic journey with a classic refrain that characterized late ’90 trance records. a never-ending cycle minimalism aesthetics of the whole ep.

its dub, but reverberating far beyond the genres borders. its what jpattersson describes as progadub.

we re proud to announce our second 12- single in 2015 which features never-before-heard (on any medium) rare live performances from cv313. the first track is a rare reversion of the classic -dimensional- piece released back in 2007 (echospace 002), recorded live in tokyo at club air. for the b side we ve done our best to restore one of our favourite live moments captured at arma17 in moscow, russia, a deeply moving affair somewhere between the clouds above and the water below, spaced out sonic submersion...

the second album from matt skiba and the sekrets as limited edition 180 gram vinyl pressing, including the entire album on cd.

its toby tobias time folks! ahead of his brilliant lp which will be dropping here on dog in september we give you a little reminder of why he’s one of the heroes of the underground uk house scene. toby has been honing his skills as a producer, dj, promoter and all round nice guy for years now and we’re very happy to be offering up fresh new club business from the man himself in the form of the rising ep. never one to go for the obvious, he always puts his neck on the line and pushes his productions in an interesting and often unexpected direction, making full use of his fully analogue studio to get those ‘happy accidents’ into his tracks which gives him the edge over so many others on the scene today.

on the first release for mannella on his own imprint, the ice is broken by generous strings and subdued synths. revisiting “space candyman” with his distinctive stamp, marieu blows up every emotion in a swirl of high spirited techno. the b side displays all the intensity of this release, starting by the pure beat of the original mix. lucretio s remix is a mighty vision of “letters from mars” with a dogged bustle of reverberated drums and filtered chords. consider a tree for a moment: we just see and enjoy its beauty, but it must develop its roots under the ground to bloom all its beauty and grows up strong. in much the same way, jt series sinks his particular sound in a ground covered music grove. so, the fruits of our tree, are a collection of sounds thought out of the box. mannella, that runs this berlin based label, never stop explores the vast world ingrained in his machines. a sensorial techno contaminated by the most varied influences.

no label coverartwork - just standardcover. peder mannerfelt is known as the subliminal kid and as part of roll the dice alongside his own releases on digitalis, we can elude control and stockholm ltd. here we find him collaborating with simon haydo (also well established on dem) for their first avian appearance with five intense, unnerving and varied tracks.

sorn002 welcomes another experimental beat maker tot he fold. asan is likely from another planet. his take on techno is like no other. expect wild drum patterns, freaky synths and alien grooves. synth lord steve moore strips things back in a way only he can and creates an arpeggiated synth journey which you d never tire of, even if it was 45 minutes long!

record in paper sleeve + 12 inch photo print in transparent plastic sleeve.
east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

no need to further introductions for chicago legendary artist whose name is paul johnson! bosconi is so much honoured to welcome in the family such a groundbreaking and essential player of house music as he is.
* i like to get down* is an 8 minutes structured stand alone track that has all thenecessary elements, with his charge of funk and explosive radiance, to be your never-outof- .

the-bag summer anthem. god bless you paul…you did it again!

pitched somewhere between the molasses gloop of acid tracks and his more gospel moments, pierre s phantasy club was a vocal project that, without reaching the heights of some of his more momentous wild pitch productions and remixes, still showed his versatility. i ll put the bug in you it ll make you stay, i ll plant it it ll never go away. we believe you, pierre. repressed & remastered for 2015 & featuring all original label artwork, with permission from trax records.

im beat der tanzenden leoparden: erstes album der schweizer world-beat-band seit 2010. pressung auf neon-grünem vinyl.

stratford-raised denai moore signed to london independent label, because music (metronomy, little dragon, django django…) and then ben drew was in touch hed heard a couple of denais songs and wanted to work with her on production, eventually producing the lake ep in 2013 (hes since signed her to his publishing company)

nice price deal !!! hailing from spain, eduardo de la calle has been a prolific dj and house and techno producer since the early nineties who s productions have recently been featuring heavily in boddikas dj sets. with over 100 vinyl releases under his belt on labels including semantica, cadenza and his own imprints (analog solutions, suprwax, edits records) plus many more, eduardo is an underground legend staying true to his analogue production techniques and never following the pack.

east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

flying lotus und bonobo haben ihre vocals auf die landkarte gebracht, die faz machte ihr debütalbum 2010 zur platte der woche, musikjournalisten und kritiker jubelten weltweit. im mai erscheint nun endlich das längst überfällige zweite album *giants* der londoner künstlerin auf dem sie gekonnt soul, r&b und pop miteinander verschmelzen lässt. limitierte lp edition mit zusätzlicher 10 track bonus cd + mp3 downloadkarte!

dear madam, dear sir, ramona is ready to reveal yet another manmade mystery to humanity – *reframe* by benedikt frey. browsing through freys back catalogue, one thing has always been certain with every new record released – freys music has always been mystical, was working in different layers and has never been only a further development of the record before.

for some it might be kraftwerk, but for me, my favourite electronic pioneers are probably australias severed heads. they were so far ahead of the game that they had to invent a lot of the technology they used. inspired, playful, never boring and always sonically brilliant they pushed at the frontiers of electronic music more than most. by the late 80s they were pursuing a slightly more polished course and made a series of records that had the potential to reach a much larger audience. possibly because of their name they never quite managed that, but they had several big club hits, the dub versions of which crossed over into the nascent house scene. i am honoured that i am able to make the dubs of those three 12 inches from 1988 - 1990 available again.

a1 - the newness- combines dystopian sound landscapes with dubby atmosphere and whoopy beats. b side opens with - g.i.r.r engine-, reminiscent to -never engine-, one of cristian s best works up to date, blueprint of minimal techno with no additions. last but not the least, - box engine 124- slows speed down a bit and finishes the ep with dark and funky though spacey trip to another dimension.

after the big success of the first classic series by k alexi shelby, technorama is back and proud to present a new release by swedish rising techno producer santiago naura aka bleak. releases on delsin, secret sundaze, deeply rooted and his own driven label naura records have helped him establish himself as one of the new generation of techno producers to watch. swedens bleak is fast becoming an essential part of his countrys techno new school recognised for creating and pushing that vision that’s integral to transcending your experience into something inspiring. his personal style of techno is of the deep, hypnotic,hardware-based variety , that engulfs you and never lets you go. here you can find three brilliant mixes, a real package of hard driving, deep, raw and analog techno bombs, including a powerful remix by upcoming talent stefan vincent (traut, balans, dynamic reflection). hope you all will enjoy these. real head shakers!

after four years of parties and many years of clubbing and djing, yay has decided to make its own philosophy to offer music can be something tangible and lasting in time to come. for this reason yay is proud to announce the opening of their own label, only on vinyl, where groove after groove will try to make sure that all the passion and culture of this small, but at the same time, great way of underground electronic music, it can be achieved with an object that will never die. the first release leave 3 tracks from the young artist riccardo of imprints records. energetic music for all the different dance floors. enjoy it!